Best Wide-angle Lenses for Sony a7 V
The a7 V is a 33MP partially stacked hybrid at about 695 g with 30 fps. The wide zoom that matches that body is the Sony FE 16-35mm F2.8 GM II.
The a7 V is a 33MP partially stacked hybrid at about 695 g with 30 fps. The wide zoom that matches that body is the Sony FE 16-35mm F2.8 GM II.
The ZV-E10 II is a 26MP APS-C vlog body at about 377 g with no IBIS and no EVF. The wide zoom that brings power zoom for arm’s-length framing is the Sony E PZ 10-20mm F4 G.
The FX3 is a compact full-frame Cinema Line body at about 715 g with IBIS and no EVF. Sideline and interior video wants internal power zoom. The Sony FE PZ 16-35mm F4 G is that 353 g wide.
The a9 III is a 24.6MP full-frame sports body at about 702 g with a global shutter and 120 fps. The lens that matches that burst indoors is the Sony FE 70-200mm F2.8 GM OSS II.
The a6700 is a 26MP APS-C hybrid at about 493 g with IBIS. The native sports zoom is the Sony E 70-350mm F4.5-6.3 G OSS, about 105–525mm equivalent.
The a7 V is a 33MP partially stacked hybrid at about 695 g with 30 fps. The sports zoom that matches that body without a flagship invoice is the Tamron 70-180mm F2.8 Di III VC VXD G2.
The a7C II is a 33MP full-frame body at about 514 g. The sports zoom that keeps that compact kit usable is the Sony FE 70-200mm F4 Macro G OSS II at 794 g.
The a1 II is a 50.1MP stacked full-frame body at about 743 g with 30 fps. Outdoor sports on that file is the Sony FE 100-400mm F4.5-5.6 GM OSS, because a 50MP crop still holds a stand shot.
The FX3 is a compact full-frame Cinema Line body at about 715 g with IBIS and no EVF. Sideline video wants internal zoom, breathing control, and F2.8. The Sony FE 70-200mm F2.8 GM OSS II is that lens.